Happy to have a “Parturition” image included in the New York Times’ Opinion section accompanying medical ethicist Carl Elliot’s article (May 7th). Thanks to the editors at the Opinion desk for inviting me!
I am representing Rhode Island as a female-identifying artist who uses alternative photographic processes in the show “Women on the Edge: Alternative Processes in New England” on view at the Vermont Center for Photography.” If you’re in the area this summer, please take a look at the variety of work being made in the New England area.
Pleased to be included in “On Her Terms": Feminine Power Embodied” at the Fitchburg Art Museum. The show opened February 3 and closed June 2, 2024. FAM hosted several bodies of work of mine, and I was happy to be in such lovely company with the other wonderful artists.
My collaborator, May Babcock and I, jointly presented about our two projects on a panel investigating the overlap between printmaking and photography at the Southern Graphics Counsel’s annual conference that took place in Providence on April 5th.
Thrilled to share that my collaborator, May Babcock and I have eight cyanotype prints on handmade paper from our series “Lamina” included into the RISD Museum’s permanent collection. Additionally, two of my plexiglass plates from my series “Parturition” now live at the Museum’s Prints, Drawings, and Photographs Study Room. Thanks to everyone at the museum for their support over the years!
Happy to share that I received funding to support an on-going body of work, Home/Work. I appreciate The Part Time Faculty Association Technology Fund at RISD’s help and support.
One of my Venus ambrotypes and a Venus paper figurine are part of the permanent collection and was included in the exhibition “Unfinished Business”. The work was on view from December 2, 2023-May 26, 2024. The show featured work from the collection by female-identifying artists. I am happy to have been in good company with the other artists and works in the collections.
Two of my Feed series images were on display in the windows at the Bill and Melinda Gates Foundation Discovery Center in Seattle. They were up as part of the Designing Motherhood exhibition that was on display there through December 30.
A Yellow Rose Project continues to tour around the country. I appreciate the organizers of this show for including me, and for getting the show out to various venues. Take a look at how many artists celebrated and critiqued the passage of the 19th Amendment.