My collaborator May Babcock and I’s ongoing anthotype prints on handmade paper series “A Living Archive” was acquired by the Boston Athenaeum. They also acquired a limited edition of digital prints of the anthotypes. Many thanks to everyone at the Athenaeum for this exciting support of this new work!
Happy to have a “Parturition” image included in the New York Times’ Opinion section accompanying medical ethicist Carl Elliot’s article (May 7th). Thanks to the editors at the Opinion desk for inviting me!
I am representing Rhode Island as a female-identifying artist who uses alternative photographic processes in the show “Women on the Edge: Alternative Processes in New England” on view at the Vermont Center for Photography.” If you’re in the area this summer, please take a look at the variety of work being made in the New England area.
My collaborator, May Babcock and I, jointly presented about our two projects on a panel investigating the overlap between printmaking and photography at the Southern Graphics Counsel’s annual conference that took place in Providence on April 5th.
Thrilled to share that my collaborator, May Babcock and I have eight cyanotype prints on handmade paper from our series “Lamina” included into the RISD Museum’s permanent collection. Additionally, two of my plexiglass plates from my series “Parturition” now live at the Museum’s Prints, Drawings, and Photographs Study Room. Thanks to everyone at the museum for their support over the years!
A Yellow Rose Project continues to tour around the country. I appreciate the organizers of this show for including me, and for getting the show out to various venues. Take a look at how many artists celebrated and critiqued the passage of the 19th Amendment.